Tag Archives: vintage fabrics

Cathedral Window Quilt circa 1930s

04 Monday Feb 2019

Posted by in Cathedral Window Quilts, Feed Sack, hand piecing, hand quilting, old fabrics, old quilt tops, Old Quilts, Quilt Collections, Quilt Stories, Scrap quilts, Uncategorized, vintage quilts

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I had been searching for a vintage Cathedral Window quilt for a very long time and I was surprised and delighted to have found this beautiful one on Ebay. I waited with much anticipation for the quilts arrival. On opening the box I could not believe how beautiful the quilt was. It appears to have never been washed or used.

Detail of Cathedral Window Quilt
Lovely turned edges and pretty fabrics



The maker of this quilt was certainly a skilled needlewoman. The quilt is constructed of 323 full ‘windows’ and 72 ‘half windows’ which are stitched in a solid pink. These create a border around the outside edges.

The quilt contains a wonderful array of 1930s dressmaking fabrics and probably some feedsacks.

The Cathedral Window pattern is a difficult and time consuming design. The maker of this quilt also added some hand quilting during the construction method. This is not commonly found on Cathedral Window Quilts but it creates a lovely effect.

Detail of the Quilt back

Friends admiring the quilt

Unfortunately there was no provenance or information to be handed on with this quilt. However, it is in safe keeping and being admired for it’s amazing array of fabrics, the skillful stitching and the many hours spent in it’s making. It truly was a labour of love.

Thank you for your interest. Happy stitching, regards Janette – The Plain Needlewoman

Marjie”s Star Quilt

02 Friday Nov 2018

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I made this quilt in memory of my mother Marjory Myers (nee Wilson).  My mother was known as Marjie by all who knew her.  Her Grandchildren called her Nanna Marj and other young friends called her Auntie Marj.  My Mum loved to go Op Shopping (as I do too).  She found many treasures for her friends and family and loved to find a bargain.  Both my Grandmothers were seamstresses, Mum and her sisters all sewed and a brother was a tailor.  Most of my clothes were made by Mum, usually from remnants, sale pieces and sometimes re-made from other items of clothing.

I started sewing, knitting and embroidery at a very young age as we were encouraged to make use of any spare time.   In the  1970s I started making quilts from dressmaking scraps and purchased cotton fabric if available.  I continued to teach myself machine and hand piecing, and hand quilting.  These were busy days as we were running a newsagents and raising three children.  Being a newsagent meant I add access to the quiltmaking magazines coming in from America and I found these very inspiring and informative.  Mum was interested to see what I was making and started keeping a look out for fabric at op shops.  It was  a lovely surprise when Mum would pop in with some old pieces she had found on her shopping expeditions.  

When I saw this pattern in Quiltmaker Magazine January/February 2000 called Star Chain, I knew it would be the perfect pattern to make in memory of my Mum.  I used many fabrics that Mum had found for me including the pink solids and lots of scraps.  The quilt is hand pieced and hand quilted.

Detail of scallop edge
Vintage backing fabric

This is the third quilt in a series I have been working on for a number of years. I have made one for my mother-in-law, called Alice’s Tulips, one for my paternal grandmother, called English Ivy and have recently completed hand piecing  a quilt in memory of my maternal grandmother called May’s Star.  I wanted to honour these strong women who were all so influential and important to me.  Happy Stitching and thank you.

Australian Crazy Quilt

20 Friday Jul 2018

Posted by in Australian Quilts, Crazy Quilts, hand piecing, old fabrics, old quilt tops, Old Quilts, Quilt Collections, Quilt Stories, quilting projects, Repairing old quilts, Scrap quilts, Sewing machines, stitching, Uncategorized, vintage quilts, Waggas

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There is no provenance on this crazy style patchwork coverlet, but it was found in Melbourne. The fabrics suggest it was made in the post war era, probably 1950s. This style of quilt making is documented in Margaret Rolfe’s books on the traditions and history of Australian quilt making.

The coverlet contains a time capsule of dressmaking and home furnishing fabrics from an era when most women stitched clothing for themselves and their families. The fabrics used include ginghams, barkcloth, stripes, checks, double knits, woven houndstooth and many bright floral and geometric designs. The border is a sunny yellow Cesarine. Cesarine was used extensively in the 1950s and 1960s.

The maker of this quilt carefully turned under the raw edges of her patches and hand tacked narrow hems before overlapping the irregular pieces which she stitched directly onto the one piece of calico backing.

Working on such a large piece must have been difficult at times. The coverlet measures 170 cm x 202 cm

The seams are finished with featherstitching. The border was stitched by machine to the right side of the coverlet, neatly folded over and hand sewn to cover the raw edge at the back.

Small opening shows the construction method used

It is interesting to study the back of the coverlet which is as neat as the front.

Front border detail

Detail of fabrics

Gingham, florals and geometrics

The quilt appears to have never been used or washed.

I am very happy to have another wonderful example of an Australian quilt in my collection. It is much valued. I am glad this quilt maker saved her sewing scraps and made this quilt. It provides a great opportunity to study the fabrics and designs of this era. Happy stiching, Janette – The Plain Needlewoman

French Coverlet

05 Monday Jun 2017

Posted by in antique fabric, hand piecing, hexagons, Mending, old fabrics, Old Quilts, Paper Piecing, Quilt Collections, Quilt Restoration, Quilt Stories, quilting projects, Repairing old quilts, Scrap quilts, stitching, vintage quilts

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Soft, muted colours were used to create this hexagon and diamond coverlet.

The maker had a large collection of the patterned and plain material available to work with. The fabric is a heavy weight cotton, possibly furnishing fabrics.

The maker arranged the plains and patterned fabrics to create a medallion setting and fussy cut her pieces. The colours in the coverlet are subtle and beautiful. The quilt is finished with a French braid. The use of the braid to finish the edges of a hexagon quilt is worth noting.

The quilt was pieced using the English paper piecing method. I found small traces of papers in the corners of the quilt, which unfortunately were too small to provide any information.

 

Detail of fabrics

Fussy Cutting

The quilt was purchased at an auction in country Victoria and it was stated that it was bought in France. The fabrics verify this. My research on the fabrics used in the coverlet suggest it may have been stitched between 1920s to 1950s. This is also the opinion of two textiles specialists that I consulted.

The hexagons measure 3.5 x 4 cm with an outside edge of 2 cm. The diamonds are a tiny 2 cm x 3.5 cm. The coverlet measures 220 cm x 150 cm.

There are some unravelled seams that need attention and are on my list of repairs to be carried out. Winter has arrived in my part of the world and it is perfect weather for stitching. I hope to finish quite a few quilting projects during the cooler months including repairs to some of the old quilts in my collection.

Centre of the coverlet.

Take care and Happy Stitching, Janette – The Plain Needlewoman

One Patch Quilts

10 Monday Apr 2017

Posted by in antique fabric, antique quilts, hand piecing, hand quilting, old fabrics, old quilt tops, Old Quilts, Quilt Collections, Quilt Restoration, Quilt Stories, Scrap quilts, stitching

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Diamond Quilt

One patch quilts have been a mainstay of quilters since people picked up needles, thread and scraps of fabric.

Squares, triangles and diamonds or more complex shapes such as hexagons and clamshells have been used time and time again to create sophisticated designs.

One patch quilts can follow a formal layout of scraps and colours or can be randomly pieced out of the scrap basket.
Either way they make wonderful quilts.

Some of the one patch quilts in my collection include squares, triangles, tumblers, hexagons and apple core shapes.

Diamonds circa 1960s.

I purchased this quilt top at an antique market and hand quilted it in the Baptist Fan design. The maker had some great fabrics in her scrap basket including one with the American State flags and the year the states joined the United States of America. The last two to join were Alaska in 1958 and Hawaii in 1959. So we can presume this fabric was purchased in 1959 or later.

The quilter used great skill in her fabric placement. Solid colours are used for the diamonds in one direction and patterned fabrics in the other direction.

Detail of quilt and vintage fabrics used for the backing.

Old Fashioned Spools

Work in Progress

This is a quilt that I am presently hand piecing. I prefer the name Old Fashioned Spools but it is more commonly called Apple Core or Double-Bitted Axe. I am alternating light and dark fabrics throughout.

Vintage Tumbler

This quilt top contains shirtings, mourning prints, florals, plains, stripes and checks. Two cheddar yellow tumblers and the use of red and white spotted fabrics brighten up the sombre tone of the quilt. The top is hand pieced.

Tumbler Quilt top circa 1900s.

1910’s Triangles

The maker of this quilt planned her use of fabrics carefully making sure she had enough of each one to stitch a row of triangles across the quilt. The fabrics used are typical of the 1910’s but the indigos appear to be from earlier. The indigos are patterned with white and cheddar designs.

Simple shapes make wonderful quilts

I hope you enjoy seeing some of my one patch quilts and may be inspired to use your scraps to carry on this lovely quilting tradition. Happy Patching and thank you for visiting, Janette – The Plain Needlewoman

A Learning Curve

24 Monday Oct 2016

Posted by in antique fabric, antique quilts, Feed Sack, hand piecing, hand quilting, Quilt Collections, quilting projects, Repairing old quilts, Scrap quilts, Uncategorized

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Curved piecing is considered more difficult to accomplish than geometric designs. But with so many beautiful patterns to choose from it is worth attempting to learn to sew curves. There are many fine quilting books available that provide step by step instructions for piecing the curve.

I have made a few curved pieced quilts including two Robbing Peter to Pay Paul quilts, a Double Wedding Ring and a Mill Wheel quilt. I have recently hand pieced a quilt in memory of my mother which I have named “Marjie’s Star”. It is a six pointed star set with melon shaped pieces. It was a challenging design but enjoyable to hand piece.img_4676img_4681img_4677

Amongst my collection of old quilts, I have a Friendship Circle quilt.img_4641

This quilt is pieced from woollens, old suiting fabrics, velvets and silk. The block measures 17 inches. There are 16 full blocks and 4 half blocks to finish one side of the quilt. The seams are stitched with feather stitching and the quilt is tied. The backing is a paisley flannel.img_4685img_4684

Curved designs were popular during the 1930s and 1940s. These included the Double Wedding Ring, Drunkard’s Path, Fan and Dresden Plate quilts. Two unfinished projects that I have recently acquired both contain curves. The first project consists of 14 Dresden Fan blocks pieced and appliquéd onto a white background and set with hot pink. Also included with my purchase is extra hot pink fabric and the start of a scalloped border for the quilt. There is certainly enough to complete this 1930s beauty.img_4665img_4664img_4666

The Maker of the second project hadn’t progressed very far along with her piecing. There was a paper pattern with the partial blocks which I have identified as Mohawk Trail.img_4667

There are pieced blocks, partially pieced and many wedge sections cut.img_4668

I have re-drafted the pattern and will stitch a couple of blocks to see if it is going to work out. These sweet old pieces have sat undisturbed for many years and may have to wait sometime yet.

As this year is fast coming to an end, I will add these projects on my list of quilts to finish in 2017. Meanwhile I am busily hand quilting, and hope to finish a vintage Trip Around the World quilt before we bid farewell to 2016.

Happy Quilting, Janette – The Plain Needlewoman.

Yo-Yo Quilts

20 Friday Nov 2015

Posted by in antique fabric, Mending, old fabrics, Old Quilts, Quilt Collections, Quilt Restoration, Quilt Stories, quilting projects, Yo-Yo quilts

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It is uncertain of when and where the technique for making yo-yo quilts originated. The earliest known examples date to the 1920s but the technique and pattern became prominent in the next decade. By the 1930s patterns were appearing in the women’s pages of weekly publications. In Merikay Waldvogel’s book ‘Soft Covers for Hard Times’ it is recorded that kits containing materials and instructions were available for making yo-yo projects.

Due to its simplicity and minimal requirements, yo-yo quilts were very popular during the depression era. All that is needed to make a yo-yo quilt is a large supply of scraps, a circle template, a needle and thread. They are a very portable project, that can be put down and picked up again for a few moments of stitching. It is easy to imagine the busy women of this era making a couple of yo-yos when they could spare a few moments

A bundle of yo-yo quilts

A bundle of yo-yo quilts

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The two yo-yo quilts in my collection were purchased from The Donnellys.

Eileen and Bernie shared the story of how and where they found them. The quilts were bought from an antique shop in Winchester, New Hampshire USA on 7th October 1994. They were lying on the very dirty floor of the shop.

Of the two quilts one is in good condition and the second one needs some repair work.

area needing repair

area needing repair

The first quilt is constructed with 25 yo-yos stitched 5 x 5 to make a block. The blocks are joined with 2 rows of mauve yo-yos to create a lattice effect. Four lemon yo-yos are placed as cornerstones. The maker then created lovely bunting type triangles to give her quilt a very decorative finish.

Lay-out arrangement

Lay-out arrangement

Decorative finish

Decorative finish

The second quilt is a random design but is brighter than the first quilt. Both quilts contain a great assortment of fabrics including feed sacks, dress fabrics, shirtings, ginghams, stripes and juvenile prints. The first quilt was probably the best quilt and the second was the everyday quilt receiving much more wear.

Brighter colours and random placement.

Brighter colours and random placement.

I soaked the quilts for 36 hours in Retro Clean.

Soaking the quilts

Soaking the quilts

After soaking I transferred them to the washing machine. Yo-yo quilts are very heavy and once wet even more so. They had to be machine washed in two separate loads. Once washed and dry I assessed the repair work. The first quilt only needed a couple of yo-yos restitched and two needed replacing. The second quilt is in the repair pile awaiting restoration. Both quilts are a wonderful time capsule of the fabrics from the 1930s and probably include fabrics from earlier decades.

Reverse side of quilt.

Reverse side of quilt.

Detail of fabrics

Detail of fabrics

I hope you enjoyed the stories of the yo-yo quilts. Thank you for stopping by,
Hope your stitching is going well, regards Janette – The Plain Needlewoman.

Postage Stamps and Strings

01 Wednesday Apr 2015

Posted by in stitching, vintage quilts

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Cut and stitched from the last remaining pieces of the scrap bag, Postage Stamp quilts and String quilts represent the ability of our quilting predecessors to be able to make wonderful quilts out of myriad fabric fragments. These scraps gathered from the remains of worn out clothing, practical sewing done for the household and treasured pieces from the dressmaker’s basket became the quilters’ palette in creating beauty and warmth for their loved ones. Throughout the years of hardship brought about by the Great Depression of the thirties quilters kept busy with needle and thread, stitching quilts to brighten their lives and lighten their spirits.

String quilt detail

String quilt detail

Fortunately many of these quilts have been preserved and we can enjoy studying the style and artistry of the makers who created beauty out of the scrap bag.

Not one but two.

Not one but two.

Tiny pieces

Tiny pieces

Twin Postage Stamp Quilts.

Set against a white background and solid red squares surrounding the assorted patterned fabrics, these quilts consist of 5,670 seventh/eighths inch squares. Each quilt measures 58 inches by 82 inches. The fabrics are typical of the 1930s with a couple from earlier decades.

An earlier fabric included here.

An earlier fabric included here.

A darker red amongst the pastels.

A darker red amongst the pastels.


Some of the fabrics show signs of wear which indicate they were probably cut from used clothing. The quilt was skilfully machine pieced (more than likely on a treadle machine) using tiny seams. There were no rotary cutters or quarter inch seams in those days as that would have been considered far too wasteful. The quilts are simply hand quilted with neat, even quilting. Many designs belong in the category of Postage Stamp quilts and this lay-out of the squares using the red surrounded consistently by a floral fabric set with white can be identified as Jewel Box or Steps to the Altar.
Love the red.

Love the red.

String Quilts.
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The maker of this quilt not only saved her strings and strips, but saved the thread from the feed sacks at her disposal, to stitch the strings onto newspaper foundations. The quilt consists of 288 blocks which were stitched by hand onto the foundation. The 288 four and a half inch blocks were stitched together by machine, once again probably a treadle.

Detail of block

Detail of block

There are some amazing fabrics used in this quilt including many feed sack fabrics, ginghams, solids, stripes, plaids and most pleasing to me red polka dots.

Polka dots.

Polka dots.

The strings range in size from one quarter inch pieces to 3 inch at the very largest. This quilt maker would not have been following a pattern or instructions but would have worked freely and intuitively to create a vibrant design without letting one tiny string go to waste.

I have been inspired to make string quilts and continue to add to my scrap bag saving dressmaking scraps, recycling my son’s expensive pure cotton shirts,saving postage stamp size pieces and strings and strips from every quilting project.

String Pieced Star

String Pieced Star

Saving the pieces

Saving the pieces

Angels and tulips

Angels and tulips

The String Pieced Star and the Alice’s Tulips quilt, made in memory of my mother-in-law, are two of my attempts at string piecing. Needless to say there are many more quilt plans ahead.

Save the Pieces
Janette – The Plain Needlewoman

Sailboats and Sunbonnets

07 Wednesday Jan 2015

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Vintage Toy Sailboats

Vintage Toy Sailboats

Beautiful old French monogrammed bonnet

Beautiful old French monogrammed bonnet

Here in Melbourne, where I live Summer is well underway. January arrived in a blaze of heat. Hot, dry and windy conditions prevailed and we are once again faced with the prospects of bush fires. With temperatures in the high thirties, dare I say it is almost too hot for hand quilting. As I always have a few projects on the go, I turn to my hand piecing when the temperature soars.

My ‘Sail into Dreamtime’ quilt brings to mind a Summer’s day spent out sailing on our bay with cool breezes blowing off the water. The pretty fabrics in this quilt which are either reproduction thirties or vintage fabrics from this era, transform me to another place and time.

Sail Into Dreamtime - a quilt for Summer

Sail Into Dreamtime – a quilt for Summer

I was inspired to make this quilt after being shown some old quilt blocks from 1939, that were signed and dated. I drafted my pattern from the original blocks and made 36 sailboat blocks using fabrics from my collection. The quilt is machine pieced and hand quilted.

Detail of fabrics used.

Detail of fabrics used.

Sailboat block

Sailboat block

Sunbonnet Sue quilts were very popular in times past. This quaint design evokes little girls in pretty dresses and bonnets playing happily in shady gardens. Studying these quilts transports me back to another time, when girls wore floral dresses, bonnets and cute little boots. It must certainly have been Summer.

Sunbonnet Sue quilt

Sunbonnet Sue quilt

This quilt is once again inspired by the wonderful quilts made during the Great Depression. This little girl is my own design and it is hand appliquéd, embroidered and hand quilted. Choosing the dress fabrics and co-ordinating them with just the right shades of solid pastels for the bonnets and boots was a wonderful opportunity to look over lots of pretty fabrics.

Another little Summery Sue.

Another little Summery Sue.

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Another gorgeous Sunbonnet Sue quilt

Another gorgeous Sunbonnet Sue quilt

I purchased ten Vintage Sunbonnet Sue blocks from ‘A Piece of Cloth’ and made one more from the original design to construct this quilt. By setting it in a zig-zag setting I was able to create a good size quilt and preserve the beautiful work started by another quilter many years ago. These girls are appliquéd and finished with a black running stitch around the appliqué pieces. The reproduction and vintage fabrics worked well together. It is amazing how similar the reproduction fabrics are to the original.

Vintage Sunbonnet Girl

Vintage Sunbonnet Girl

the eleventh block reproduced from the originals

the eleventh block reproduced from the originals

I hope these quilts have carried you to another place and time. Either to escape the heat of Summer or to send you Sailing Into Dreamtime, perhaps looking forward to warmer days to arrive.

Happy Quilting, Janette, The Plain Needlewoman

A Rescue Mission

26 Sunday Oct 2014

Posted by in appliqué, old fabrics, old sewing books, vintage quilts

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I was entrusted with this quilt which I have named Prairie Rose from the quilt collectors Bernie and Eileen Donnelly.

When I first saw this quilt I could see that it had been well made, the button hole stitching on the appliqué and the hand quilting with a perle thread was extremely well executed. Although faded over time the colours are still very pleasing – soft apricot, green and blue on the white background.

Prairie Rose quilt in it's original state

Prairie Rose quilt in it’s original state

There were two rather large holes and the curved blue binding was in tatters. The quilt was reasonably clean considering it has such a large area of white and had obviously been well used.

Removing the binding

Removing the binding

Preparation for repairing

Preparation for repairing

A soak in Retro Clean

A soak in Retro Clean

Retro Clean

Retro Clean

I decided to give this quilt a soak in Retro Clean to remove some of the stains and to generally freshen it up.
After a good soak in the old wash tub I transferred it to the washing machine and washed it on the gentle cycle. As it was a nice sunny day the quilt dried very quickly and I could plan the steps for repairing it.

I decided to cut off the old binding. This also removed some of the damaged areas which were near the edge of the quilt. There were two large tears remaining, that I thought I would be able to patch. Apart from that the quilt was looking very pretty.

this book contains a wonderful chapter on darning and patching

this book contains a wonderful chapter on darning and patching

Following the steps on patching in The Big Book of Needlecraft I proceeded to repair the damaged areas.

Patch placed on the wrong side of the quilt

Patch placed on the wrong side of the quilt

A neat patch in place

A neat patch in place

The next step in repairing the quilt was to re-do the binding. Rummaging through my collection of old fabric and trialling a couple of blues, I found a nice old, blue gingham. Gingham is a favourite of mine and it has a timeless quality. I cut many metres on the bias and machine stitched it onto the quilt. The hand sewing of the curved binding was a slow but rewarding process. I was very happy with the fresh look the gingham provided.

I now have a lovely new/old quilt. I think this quilt was made circa 1940s. It was probably a kit quilt with the quilting and appliqué placement pre marked. The original quilt maker chose thicker threads to appliqué and quilt with, giving this quilt another dimension in texture and colour. I haven’t been able to identify an exact pattern name for this design but I think Prairie Rose suits it very well.

Restored Quilt

Restored Quilt

I thank the quilt maker of the past who so lovingly stitched this quilt and I hope I have honoured her workmanship and I will enjoy having this quilt in my collection. Happy Quilting from Janette, A Plain Needlewoman.