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The Plain Needlewoman

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Tag Archives: The Donnellys

Yo-Yo Quilts

20 Friday Nov 2015

Posted by mcinnesjanette in antique fabric, Mending, old fabrics, Old Quilts, Quilt Collections, Quilt Restoration, Quilt Stories, quilting projects, Yo-Yo quilts

≈ 16 Comments

Tags

1930s quilts, feed sacks, scrap quilts, The Donnellys, vintage fabrics, yo-yo quilts

IMG_3173

It is uncertain of when and where the technique for making yo-yo quilts originated. The earliest known examples date to the 1920s but the technique and pattern became prominent in the next decade. By the 1930s patterns were appearing in the women’s pages of weekly publications. In Merikay Waldvogel’s book ‘Soft Covers for Hard Times’ it is recorded that kits containing materials and instructions were available for making yo-yo projects.

Due to its simplicity and minimal requirements, yo-yo quilts were very popular during the depression era. All that is needed to make a yo-yo quilt is a large supply of scraps, a circle template, a needle and thread. They are a very portable project, that can be put down and picked up again for a few moments of stitching. It is easy to imagine the busy women of this era making a couple of yo-yos when they could spare a few moments

A bundle of yo-yo quilts

A bundle of yo-yo quilts

.

The two yo-yo quilts in my collection were purchased from The Donnellys.

Eileen and Bernie shared the story of how and where they found them. The quilts were bought from an antique shop in Winchester, New Hampshire USA on 7th October 1994. They were lying on the very dirty floor of the shop.

Of the two quilts one is in good condition and the second one needs some repair work.

area needing repair

area needing repair

The first quilt is constructed with 25 yo-yos stitched 5 x 5 to make a block. The blocks are joined with 2 rows of mauve yo-yos to create a lattice effect. Four lemon yo-yos are placed as cornerstones. The maker then created lovely bunting type triangles to give her quilt a very decorative finish.

Lay-out arrangement

Lay-out arrangement

Decorative finish

Decorative finish

The second quilt is a random design but is brighter than the first quilt. Both quilts contain a great assortment of fabrics including feed sacks, dress fabrics, shirtings, ginghams, stripes and juvenile prints. The first quilt was probably the best quilt and the second was the everyday quilt receiving much more wear.

Brighter colours and random placement.

Brighter colours and random placement.

I soaked the quilts for 36 hours in Retro Clean.

Soaking the quilts

Soaking the quilts

After soaking I transferred them to the washing machine. Yo-yo quilts are very heavy and once wet even more so. They had to be machine washed in two separate loads. Once washed and dry I assessed the repair work. The first quilt only needed a couple of yo-yos restitched and two needed replacing. The second quilt is in the repair pile awaiting restoration. Both quilts are a wonderful time capsule of the fabrics from the 1930s and probably include fabrics from earlier decades.

Reverse side of quilt.

Reverse side of quilt.

Detail of fabrics

Detail of fabrics

I hope you enjoyed the stories of the yo-yo quilts. Thank you for stopping by,
Hope your stitching is going well, regards Janette – The Plain Needlewoman.

Lucy’s Quilt

01 Saturday Aug 2015

Posted by mcinnesjanette in Feed Sack, Old Quilts, Quilt Collections, Quilt Stories

≈ 10 Comments

Tags

Farmer's Journal, Feedsacks, quilt collections, The Donnellys, vintage quilts

Four Petals made by Lucy M. Hauser

Four Petals made by Lucy M. Hauser

The Four Petals quilt was made in Kentucky by Lucy M. Hauser during the 1940s. It is hand pieced and hand quilted. The fabrics used in this quilt are feed sack and dress fabrics. The borders, lattice strips and setting squares are a bright pink and aqua. The backing is a feed sack print in a dainty pink floral which compliments the pink and aqua fabrics perfectly. The binding is of the same fabric and is machine stitched. The machine stitching is very fine indeed which indicates it was probably stitched on a treadle machine.

Detail of The Four Petals

Detail of The Four Petals

Fabulous Feed Sack fabrics

Fabulous Feed Sack fabrics

The story of Lucy’s Quilt was passed onto to me by Eileen and Bernie Donnelly who have entrusted this quilt and it’s story to me. The story of The Four Petals quilt is reproduced here as told by Eileen and Bernie. ‘We were driving through West Virginia and Maryland on the last part of our trip.(October 1994) We were looking for old quilts and had been told by one of our son Stephen’s friends, who came from West Virginia, that “old” or Antique Quilts were no longer easy to find. They suggested we stop at some of the old general stores in the small country villages and ask. We did just that and were sent to see Mrs. Lucy Mae Hauser on her farm a couple of miles away. At this stage we we were right in the middle of the Amish country in Maryland, just near the West Virginia border. Lucy invited us in to show us what she had. She was absolutely thrilled to see us as she had not met Australians before. She told us she was 79 then she remembered she was only 76. She took us into a spare bedroom and pulled back a crocheted afghan to reveal a very bright quilt. “Railway Tracks” design. She said she had not sold quilts before, but would sell one to us. So we bought it, literally off her bed. Then she remembered she had some other quilts in the cupboard. She showed us “this one” and we liked it better than the one we had bought, so she agreed to exchange it, so we remade her bed.

Quiltmaker - Lucy Mae Hauser born 9 May 1920

Quiltmaker – Lucy Mae Hauser born 9 May 1920

This quilt was made mostly from Feed sacks and dress fabrics and she said she had made it in Kentucky in the 1940s. The design Four Petals, is very unusual and comes from the Farmer’s Journal which was first published in 1877. The design has probably been handed down through the family.’

The Label beautifully hand written by Eileen.

The Label beautifully hand written by Eileen.

Feed sack backing

Feed sack backing

The instructions for reproducing this quilt were written by Eileen and published in The Australian Patchwork and Quilting Magazine Vol. 9 No. 4 February 2002.IMG_2997 Hope you enjoy seeing The Four Petals Quilt and reading the story of it’s journey to Australia. It is wonderful to have provenance of the maker’s of old quilts, so thank you to Bernie and Eileen for sharing the story of this lovely old quilt. Thank you for visiting The Plain Needlewoman.

Collecting the Pieces

26 Friday Jun 2015

Posted by mcinnesjanette in Old Quilts, Scrap quilts

≈ 8 Comments

Tags

1930s quilts, Antique Quilts, Fabric Study, feed sacks, hand quilting, old quilts, The Donnellys

Basketweave Quilt circa 1930s to 40s

Basketweave Quilt circa 1930s to 40s

In times past when home dressmaking was a common practice and many a mother was kept busy stitching clothing for her often large family, scraps of cloth would have accumulated quickly from her endeavours as she produced dresses, shirts, nightwear and linens for her household.

No scrap would have been wasted and fabric would have been collected from worn out clothing, household linens and feedsacks. These fabrics would go into the scrap basket to be put to good use for the making of patchwork quilts. The ‘scrap basket’ represented the fashions of several years and would often include older pieces than what was typical of the era the finished quilt would represent. As any-one who has a collection of sewing scraps knows, we seldom get to the bottom of the basket. One quilt leads to another and the scrap pile continues to evolve.

Detail of Basketweave quilt showing a collection of fabrics both plains and patterned.

Detail of Basketweave quilt showing a collection of fabrics both plains and patterned.

Whether the quilts demonstrate artistry in the arrangements of design and colour or the effect of the design is pure chance, scrap quilts made from a collection of fabrics will always be my sentimental favourites.

A beautiful feedsack backing.

A beautiful feedsack backing.

Scrap Fans, Circle of Friendship or Around the World.

Scrap Fans, Circle of Friendship or Around the World.

The Around the World Quilt, (which has many other names) came to me from the collection of Bernie and Eileen Donnelly. It is a beautiful quilt which they purchased at an exhibition of old and rare North American Quilts and Canadian Quilts by John Leach at South Yarra, Victoria in 1995. It was stated that the quilt was made by Old Order Mennonites from the area of Elora and Unionville in Southern Ontario Province in Canada.The quilt has quite a heavy batting, which is lovely on these cold Winter nights. Eileen commented that the quilter used an exceptionally clever arrangement of the small fans. The yellow setting squares in the sashing tie in with the yellow bases of the fans. The fans are appliquéd onto the block with very fine machine stitching (probably a treadle machine was used). The quilt is hand quilted and has a feedsack backing.

Feedsack backing.

Feedsack backing.

Another quilt that contains many scraps and displays an artistic use of colour is this gorgeous Fan Quilt from the 30s.

Fans with red.

Fans with red.

The quilt is very typical of the Depression era. When I purchased this quilt it had never been washed although it does have a sleeve for hanging on the back, so I presume it has been displayed at some point in time. The simple design of the Fan becomes a very sophisticated quilt with the placement of red in the centre of the nine tiny blades that create the fan. The quilting further enhances the effect created when the fans have been arranged by the maker to create an illusion of another design.

Detail of Fans and arrangement of blocks.

Detail of Fans and arrangement of blocks.

Hand quilting detail

Hand quilting detail

My Scrap Collection includes many different fabrics, many of them bought at op shops including woollen material which I use for rug hooking. When I saw this darling little bear pattern in the Spring Edition of Primitive Quilts and Projects, I just had to make it. I found some heavy coating scraps in the wool trunk and made my version of Roly Poly. I just adore the paper hat.

Roly Poly.

Roly Poly.

Happy fabric collecting, Warmly Janette, The Plain Needlewoman.

Strippy Quilts – A Study in Frugality

26 Thursday Feb 2015

Posted by mcinnesjanette in Cumbria, English Quilts, hand quilting, North Country quilts, old fabrics, stitching, Strippy Quilts

≈ 6 Comments

Tags

Antique Quilts, Christopher Wilson-Tate, English quilts, Feedsacks, hand quilting, Strippy Quilts, The Donnellys

Strippy Quilt - circa 1850-70

Strippy Quilt – circa 1850-70

IMG_2583

Not in her wildest dreams, would the maker of this quilt have imagined that her quilt would turn up for sale at an antique market in rural Victoria in 2015. When I saw the quilt for sale on a vendor’s display, I knew immediately it was an old English Strippy quilt. The seller confirmed she had purchased the quilt from an Englishwoman living in Australia. The seller had owned the quilt for some years and had enjoyed using it on her bed.

On studying this quilt, I could see that it’s maker had joined fabrics together to achieve the length required and in one instance has used a different print to do so. This may indicate that the maker was utilising fabrics already available to her.

Two patterned fabrics joined to create length.

Two patterned fabrics joined to create length.

The quilt is constructed of eleven – 8 inch wide strips. There are five different fabrics used in this charming and humble quilt. The quilt is quilted in an all over zig zag design. I suspect it was quilted from the back as the stitches are very even on the back when compared to the front.

Back of quilt showing hand quilting detail.

Back of quilt showing hand quilting detail.

I contacted Christopher Wilson-Tate, the owner of Antique Textiles Company, UK who is an expert on English quilts. On seeing photos of my quilt Christopher identified the quilt as a typical North Country Stripe from Cumbria/Lake District. The simple wave quilting is typical of this area. Christopher thinks the quilt was made about 1870 or possibly earlier. Thank you Christopher for your knowledge and expertise

Patches.

Patches.

.

The quilt measures 84 inches by 85 inches and there is some wear on the vertical edges. A couple of little patches stitched onto the quilt only adds to it’s charm.

With clever joining of her fabrics and an orderly placement of contrasting colours this frugal quilt maker was able to celebrate her thrift and personality in a quilt that has had an interesting journey beyond its humble beginnings.IMG_2550

IMG_2551

Fabrics Make the Quilt!

Fabrics Make the Quilt!

Travelling in time and crossing the Atlantic Ocean to arrive in Tennessee USA we have another Strippy Quilt that demonstrates frugality and verve. This quilt was purchased by the Donnelly’s (quilt collectors) in 1997 at the Donnelly House, Mountain City, Tennessee. It measures 86 inches by 87 inches.

American Strippy.

American Strippy.

The assorted blocks that make up this quilt consist of stars, nine patch and album. The quilt maker was not constrained by size, fabrics or colours. Many of the blocks have small strips added to make them fit.

Yellow strip added to  size up the block.

Yellow strip added to size up the block.

Detail of blocks used.

Detail of blocks used.

The blocks date from circa 1880 through to 1930. The fabrics consist of shirtings, dress fabrics and feed sacks. The strippy lay-out was achieved by joining the blocks with a hand dyed blue/grey fabric (probably faded over time) and then set into the strippy lay out with the pretty pink solid fabric.

The backing is the same dyed blue/grey fabric which appears to be plain feed sacks as a feint print of lettering and a feed sack symbol is visible.

Hand dyed backing

Hand dyed backing

Block detail with hand quilting.

Block detail with hand quilting.

Frugal use of scraps

Frugal use of scraps

Eileen Donnelly named this quilt ‘She did the best she could with what she had’, which I think is a perfect name and what I now call the quilt as well. I think this quilt maker stitched a life time of quilting into a quilt that is a testimony to a frugal and creative quilt maker.

I would like to share this lovely print of a Plain Needlewoman working on a hexagon quilt.IMG_2455

Thank you for visiting, yours in quilting, Janette – The Plain Needlewoman

Fabric Study in Old Quilts

19 Wednesday Nov 2014

Posted by mcinnesjanette in hand quilting, old fabrics, old sewing books, vintage quilts

≈ 7 Comments

Tags

1850s-1870s quilts, Antique Quilts, Fabric Study, hand quilting, old sewing books, The Donnellys, vintage quilts

Four Poster Bed Quilt

Four Poster Bed Quilt

Straight Furrow - Log Cabin Quilt

Straight Furrow – Log Cabin Quilt

These two quilts came into my collection from ‘The Donnellys’.

They purchased the Four Poster Bed quilt in 1997 in Groton, Massachusetts, USA from The Quilt Loft. This was owned by Diane Reese who has a Master’s Degree in Antique American Textiles from Boston University.

The quilt is dated circa 1876, which is substantiated by the fabrics used as they are very distinctive. A lovely fine red and white stripe fabric was used for the sashing, borders and binding. The quilt is backed with a coffee coloured linen type fabric that was possibly a homespun fabric. It is beautifully pieced and features well executed hand quilting. The red and white stripe fabric sets off the nine patch blocks beautifully and lends the quilt a timeless quality.

Detail of the nine patch blocks and sashing

Detail of the nine patch blocks and sashing

Fabric detail to study

Fabric detail to study

There is no other information available regarding this quilt but Bernie and Eileen did see George Washington’s bed at Mt.Vernon in Virginia, it was a four poster and they were surprised that it was so short.

Quilt Collectors - Eileen and Bernie Donnelly

Quilt Collectors – Eileen and Bernie Donnelly

The Log Cabin quilt was passed on to me by Eileen and Bernie as they thought I might have the time and patience to repair this very old but still beautiful quilt. It contains a stunning collection of fabrics including many shirtings. It is very faded and has worn to shreds in some sections.

Log Cabin block detail

Log Cabin block detail

Log Cabin Construction Method

Log Cabin Construction Method

Primarily Patchwork published in 1975 includes detailed construction method of foundation piecing log cabin quilts

Primarily Patchwork published in 1975 includes a detailed construction method of foundation piecing log cabin quilts.

However, the worn areas allow for studying the method of construction. The strips have been foundation pieced onto squares of patterned and plain fabrics. The squares were then stitched together and backed with a plain homespun. There is minimal hand quilting, also with a linen or coarse cotton thread. The Donnelly’s believe this quilt to be circa 1850s to 1860s. The process of repairing this quilt is ongoing. I am re-stitching the strips back onto their foundation block and in some instances the fabrics have frayed away completely. I trim these off to reveal the foundation fabric underneath which is quite fascinating to discover. Although the Log Cabin quilt is very fragile now, its beauty will be enjoyed for another generation and provide a unique study of the old fabrics.

Still beautiful Still beautiful

Happy Quilting, Janette

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