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The Plain Needlewoman

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The  Plain Needlewoman

Category Archives: antique quilts

Clarence Valley Coverlet No. 2

23 Saturday Jun 2018

Posted by mcinnesjanette in antique quilts, appliqué, Australian Quilts, hand piecing, hexagons, old fabrics, old quilt tops, Old Quilts, Paper Piecing, Quilt Collections, Quilt Stories, quilting projects, Scrap quilts, Uncategorized, vintage quilts, Waggas

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Antique Quilts, collections, Coverlets, Handmade, handwork, hexagons, old quilts, original designs, Paper Piecing, Quilting, quilts

This  coverlet from Clarence Valley,  New South Wales may possibly have been made by the needlewoman who made the coverlet that I documented in the previous post. I purchased this from the same Ebay seller who had bought both of them.  Unfortunately, no other information is known. But what we do know is that the coverlet was designed and stitched by an experienced seamstress who had a good array of fabric scraps available to her. Most likely the fabrics were saved from dressmaking.

The coverlet is double sided.

Reverse side of coverlet

The coverlet measures 178 x 105 cms. The hexagons measure 7 cm through the centre and 4 cm on the outside edge. The fabrics used in the coverlet include cotton, silk, furnishing fabric, taffeta, sateen and figured satin. The cotton fabrics include many textured weaves and floral prints. One print in particular resembles a Liberty design. The background fabric used on the reverse side may be a wool/rayon mix. It is a heavier weight fabric with a sheen to it.

Fabric detail – side 1

Fabric detail – side 2

The quilt maker had a flair for colour and design. The colours are very typical of mid 20th century styles and decorating colours. The golds, greens, yellows and browns are artistically used throughout to define the lay-out of the designs on both sides of the coverlet. Side one is pieced with hexagons stitched to form diamond and rosette shapes. The second side uses hexagons stitched to form a large rosette which is stitched to the centre of the brown stripe background fabric. Side one includes the use of brown toned prints to create a border and side 2 makes use of green and orange prints to create the border. The edges of the quilt are neatly whip stitched together to finish the coverlet. There is no batting. The coverlet appears to have never been washed or used.

Detail of side 2.

Without further information I can only speculate about the maker of these two exquisite Australian coverlets. They are much treasured by me and I feel very lucky to have them in my collection. Australian quilts are  rare and the two Clarence Valley Coverlets demonstrate fine needlework skills and a great flair for design and style. I wish there was more to tell you about the coverlets but sadly their story has been lost.

Thank you for stopping by,  Janette, The Plain Needlewoman

Clarence Valley Coverlet No. 1

25 Friday May 2018

Posted by mcinnesjanette in antique fabric, antique quilts, hand piecing, hexagons, old fabrics, old quilt tops, Old Quilts, Paper Piecing, Quilt Collections, Quilt Stories, Scrap quilts, vintage quilts, Waggas

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Tags

Australian Quilts, collections, Fabric Study, hand piecing, hexagons, old quilts, original designs, Piecework, scrap quilts


The maker of this coverlet clearly had a vision of her finished design. The hexagons which measure 2 cm on the outside edge were cut with a 2 cm seam allowance. The seams were neatly stitched into place so there was no wrong side of fabric showing.

The rosettes consist of 6 hexagons stitched around a solid colour hexagon.The hexagons measure 2 cm on the outside edge. The rosettes measure 10.5 cm. The maker stitched 340 rosettes and set them together in rows of 20 x 17. Two rows – row No. 7 and 14 consist of hexagons stitched in solid colours. These two rows add definition to the design of this lovely scrappy and colourful quilt. The rosettes are joined together with a whip stitch similar to the construction of a yo-yo coverlet. The finished coverlet measures 178 cm x 198 cm.

The coverlet appears to have never been used. It is beautifully constructed and a work or art. It is one of my absolute favourites and a cherished example of an Australian quilt. I purchased another coverlet from the same seller which I will write about in my next post. I can only speculate on the maker of this quilt but one thing that stands out to me is her great collection of scraps and her fine needlework skills.

Happy stitching, Janette The Plain Needlewoman

One Patch Quilts

10 Monday Apr 2017

Posted by mcinnesjanette in antique fabric, antique quilts, hand piecing, hand quilting, old fabrics, old quilt tops, Old Quilts, Quilt Collections, Quilt Restoration, Quilt Stories, Scrap quilts, stitching

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Tags

1890s to 1910s. Antique Quilts, Fabric Study, hand quilting, One Patch Quilts, quilt collections, reproduction fabrics, vintage fabrics

Diamond Quilt

One patch quilts have been a mainstay of quilters since people picked up needles, thread and scraps of fabric.

Squares, triangles and diamonds or more complex shapes such as hexagons and clamshells have been used time and time again to create sophisticated designs.

One patch quilts can follow a formal layout of scraps and colours or can be randomly pieced out of the scrap basket.
Either way they make wonderful quilts.

Some of the one patch quilts in my collection include squares, triangles, tumblers, hexagons and apple core shapes.

Diamonds circa 1960s.

I purchased this quilt top at an antique market and hand quilted it in the Baptist Fan design. The maker had some great fabrics in her scrap basket including one with the American State flags and the year the states joined the United States of America. The last two to join were Alaska in 1958 and Hawaii in 1959. So we can presume this fabric was purchased in 1959 or later.

The quilter used great skill in her fabric placement. Solid colours are used for the diamonds in one direction and patterned fabrics in the other direction.

Detail of quilt and vintage fabrics used for the backing.

Old Fashioned Spools

Work in Progress

This is a quilt that I am presently hand piecing. I prefer the name Old Fashioned Spools but it is more commonly called Apple Core or Double-Bitted Axe. I am alternating light and dark fabrics throughout.

Vintage Tumbler

This quilt top contains shirtings, mourning prints, florals, plains, stripes and checks. Two cheddar yellow tumblers and the use of red and white spotted fabrics brighten up the sombre tone of the quilt. The top is hand pieced.

Tumbler Quilt top circa 1900s.

1910’s Triangles

The maker of this quilt planned her use of fabrics carefully making sure she had enough of each one to stitch a row of triangles across the quilt. The fabrics used are typical of the 1910’s but the indigos appear to be from earlier. The indigos are patterned with white and cheddar designs.

Simple shapes make wonderful quilts

I hope you enjoy seeing some of my one patch quilts and may be inspired to use your scraps to carry on this lovely quilting tradition. Happy Patching and thank you for visiting, Janette – The Plain Needlewoman

My Year of Repairing

23 Thursday Feb 2017

Posted by mcinnesjanette in antique fabric, antique quilts, English Quilts, hand piecing, hand quilting, Mending, North Country quilts, old fabrics, Old Quilts, Quilt Collections, Quilt Restoration, Quilt Stories, quilting projects, Red and White quilts, Repairing old quilts, Scrap quilts, stitching, Stripe Quilts, Strippy Quilts, Turkey Red, Uncategorized, vintage quilts

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1890s to 1910s. Antique Quilts

img_5160Patchwork Strippy Quilt

 

First on my New Year’s Resolution List for 2017 is to carry our repairs and restoration on quilts in my collection that need a little TLC.  Armed with the excellent book ‘Quilt Restoration – A Practical guide’ by Camille Dalphond Cognac, I feel confident in tackling the intricate work needed to repair the quilts and to do so in such a way as to preserve their future.

img_4850Quilt Restoration – A Practical Guide by Camille Dalphond Cagnac

 

img_4885

This beautiful English Patchwork Strippy Quilt is a stunning quilt displaying a great assortment of scraps tied together with a Turkey Red Twill. The red has held up well but some of the patterned fabrics have worn.  Fortunately the white fabric is in excellent condition.

I purchased the quilt from the Antique Textile Company and Christopher Wilson-Tate provided me with information on the quilts provenance.  The quilt is from a family in Alnwick, Northumberland, circa 1880’s and is a great example of North Country English Quilting.

 

img_5159

Back of Quilt showing the cable quilting design.

To undertake the repair of the quilt I have cut squares of reproduction and vintage fabrics.  Placing right sides of fabric to butter muslin, I stitch around the entire patch.

I make a small cut into the butter muslin, trim the seams and turn right sides out.  I ease out the corners using a stiletto and press the patches.  They are now ready to be carefully appliquéd onto the worn square.img_4873

Butter muslin

 

img_4888

Squares cut and ready to sew.

 

img_4876Turned patches

 

img_4879Pinned and ready to appliqué

 

img_4880Stitched in place.

The final step will be to replicate the quilting design over the patches.

To quote Camille Dalphond Cognac “Scrap quilts are a joy to restore because the fabrics are chosen to blend into the totality of as many as a hundred or more colours.” With many hours of joyous stitching ahead, I hope to complete this task so this beautiful quilt will be preserved for many years to come.

Hope your stitching brings you much Joy.

 

The Lost Ships – circa 1890s

30 Wednesday Nov 2016

Posted by mcinnesjanette in antique fabric, antique quilts, hand piecing, hand quilting, old fabrics, Old Quilts, old sewing books, Quilt Collections, Quilt Stories, Scrap quilts, stitching, Uncategorized, vintage quilts

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img_4742Seventy-Two  Lost Ship Blocks are set diagonally with a red and black print to create this stunning quilt. The blocks are pieced using a different fabric design in each block.  These fabrics are complimented with a lovely cream and brown design.

 

img_4787

The quilt contains a block where the maker found herself short of one print and pieced a section of the ship with a different but similar colour.

 

img_4780

 

The fabrics used consist of florals, plaids, geometric designs and a few very unusual patterns.  The maker had a good supply of scraps as well as the red and cream.  The quilt displays 75 print fabrics. The scrap pieces may well have been dressmaking fabrics but obviously the red and cream was purchased for quilt making.

 

img_4778img_4777img_4788

The piecework and quilting is very well executed.  I presume this quilt was made by a talented and experienced needlewoman.  The quilt is finished with the quilt front neatly rolled over to the back to create the binding.   It is stitched in place with tiny, neat stitches. The backing is a plain homespun.  The quilt appears to have never been washed.

The quilt measures 66 inches by 84 inches and the  block measures just under  5  inches.

 

img_4798

In Ruth E. Finley’s book ‘Old Patchwork Quilts and The Women Who Made Them’ published in 1929, Finley refers to this pattern  “A pattern that was popular below the Mason and Dixon Line was called Rocky Glen though in the fishing villages of the Seaboard, where it was frequently employed, it was known as The Lost Ship.” So this is the name I shall use for this wonderful quilt which I am very happy to have to add to my collection.

Thank you for visiting and best wishes for your quilting endeavours, very warmly, Janette

The Plain Needlewoman.

 

 

 

 

 

 

A Learning Curve

24 Monday Oct 2016

Posted by mcinnesjanette in antique fabric, antique quilts, Feed Sack, hand piecing, hand quilting, Quilt Collections, quilting projects, Repairing old quilts, Scrap quilts, Uncategorized

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Tags

1930s, hand piecing, hand quilting, Piecework, quilt study, Quilting, Star Quilts, vintage fabrics, vintage quilts

img_4595

Curved piecing is considered more difficult to accomplish than geometric designs. But with so many beautiful patterns to choose from it is worth attempting to learn to sew curves. There are many fine quilting books available that provide step by step instructions for piecing the curve.

I have made a few curved pieced quilts including two Robbing Peter to Pay Paul quilts, a Double Wedding Ring and a Mill Wheel quilt. I have recently hand pieced a quilt in memory of my mother which I have named “Marjie’s Star”. It is a six pointed star set with melon shaped pieces. It was a challenging design but enjoyable to hand piece.img_4676img_4681img_4677

Amongst my collection of old quilts, I have a Friendship Circle quilt.img_4641

This quilt is pieced from woollens, old suiting fabrics, velvets and silk. The block measures 17 inches. There are 16 full blocks and 4 half blocks to finish one side of the quilt. The seams are stitched with feather stitching and the quilt is tied. The backing is a paisley flannel.img_4685img_4684

Curved designs were popular during the 1930s and 1940s. These included the Double Wedding Ring, Drunkard’s Path, Fan and Dresden Plate quilts. Two unfinished projects that I have recently acquired both contain curves. The first project consists of 14 Dresden Fan blocks pieced and appliquéd onto a white background and set with hot pink. Also included with my purchase is extra hot pink fabric and the start of a scalloped border for the quilt. There is certainly enough to complete this 1930s beauty.img_4665img_4664img_4666

The Maker of the second project hadn’t progressed very far along with her piecing. There was a paper pattern with the partial blocks which I have identified as Mohawk Trail.img_4667

There are pieced blocks, partially pieced and many wedge sections cut.img_4668

I have re-drafted the pattern and will stitch a couple of blocks to see if it is going to work out. These sweet old pieces have sat undisturbed for many years and may have to wait sometime yet.

As this year is fast coming to an end, I will add these projects on my list of quilts to finish in 2017. Meanwhile I am busily hand quilting, and hope to finish a vintage Trip Around the World quilt before we bid farewell to 2016.

Happy Quilting, Janette – The Plain Needlewoman.

A Fine Old Quilt circa 1870

08 Friday Jul 2016

Posted by mcinnesjanette in 19th century Madder Fabrics, antique fabric, antique quilts, appliqué, hand quilting, old fabrics, Old Quilts, Quilt Collections, stitching, Uncategorized, vintage quilts

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Tags

Antique Quilts, applique, Fabric Study, hand quilting, handquilting, quilt collections

Basket Quilt

Basket Quilt

This basket quilt consists of 30 blocks set on point with alternating cream homespun fabric blocks. The quilt is a large one measuring 205 cms by 230 cms. The baskets are hand pieced and the handles are hand appliquéd.IMG_4171

Madder dyed fabrics are used throughout the quilt – mostly copper toned browns, a purple and an orange. The border fabric is a typical copper toned Madder stripe.

Border stripe fabric

Border stripe fabric

Baskets were a popular design in the 19th century and baskets represented prosperity. The quilt maker appears to have been prosperous, as she had a good supply of yardage available to her. The quilt is extremely well made. The piecework, appliqué and quilting are of a high standard.

The quilting design is a simple but lovely design. It may have been adapted from a folded cut work appliqué design. I have three old Madder Red appliqué blocks in this design.IMG_4231

Hand quilting

Hand quilting

Madder Red Applique Block

Madder Red Applique Block

The backing is a plain homespun and the batting is an uncarded cotton.

The Basket Quilt came from California but no other information was available. As in so many instances there is no label on this quilt so the identity of its’ maker is lost in time. I can only wonder at the life of the maker and enjoy her wonderful quilt. Hope you enjoy seeing this old treasure. Happy Quilting, Janette

Busy Days in Winter

24 Friday Jun 2016

Posted by mcinnesjanette in antique fabric, antique quilts, Double Pinks, hand quilting, old fabrics, Postage Stamp Quilts, Quilt Collections, Quilt Restoration, quilting projects, Scrap quilts, stitching, Trip Around the World, Uncategorized, vintage quilts

≈ 8 Comments

Detail of Album Quilt

Detail of Album Quilt

The Winter months are the best time to catch up on quilting projects. The cold days and longer nights provide the perfect opportunity to stay indoors and stitch. To make a start I made a list of jobs to be done, then set to work.

First up I put the old Album quilt into a gentle bath for a soak in Retrowash.

The Album Quilt having a gentle soak.

The Album Quilt having a gentle soak.

I had been working on blocks for a new quilt and having completed 25 blocks I have started to stitch the blocks together. This gorgeous fabric that I found at my local op shop ties the blocks together beautifully.IMG_4225

Windfarm Quilt - work in progress

Windfarm Quilt – work in progress

I made up cushion fillers for these lovely vintage cushion covers and added satin ribbon bows for ties.

Vintage cushion covers

Vintage cushion covers

After it’s bath the Album quilt was ready for a gentle machine wash and some fresh air. With a good wind blowing the quilt dried quickly. It is now fresh and beautiful.

Album Quilt circa 1870

Album Quilt circa 1870

Cold nights are perfect for hand quilting and I have started quilting an old Trip Around the World top from my collection. It is a large quilt, so I expect to be working on it for quite a few months.

Hand quilting Trip Around the World. Circa 1930s.

Hand quilting Trip Around the World. Circa 1930s.

Centre of Trip Around the World.

Centre of Trip Around the World.

I hope you are finding time for Stitching, Happy Quilting, Janette – The Plain Needlewoman

Darting Birds

09 Saturday Apr 2016

Posted by mcinnesjanette in antique fabric, antique quilts, Double Pinks, hand quilting, Mending, Old Quilts, Uncategorized

≈ 5 Comments

Tags

Antique Quilts, Fabric Study, old quilts, quilt collections, quilt study, vintage quilts

IMG_3925

I purchased this charming old quilt as a ‘cutter quilt’. This is the term used for quilts that are in a very sad condition and can be cut up for small projects with out feeling guilty about cutting up an old quilt. I could see it had potential for salvaging into small keepsake pieces.

A heart shape cut from the Darting Birds quilt .

A heart shape cut from the Darting Birds quilt .

When the quilt arrived in the mail, I realised I could not contemplate cutting up this beautiful old quilt. I identified the block pattern in Barbara Brackman’s Encyclopedia of Pieced Quilt Blocks as Darting Birds designed by Nancy Page.

The maker of this quilt had a good collection of fabrics dating from the 1880s to 1900s, including the gorgeous double pink used in the alternate blocks. The birds are pieced from reds, blacks, indigos and browns. The patterns are florals, checks, stripes and polka dots. The backgrounds of the blocks are mostly shirtings.

Detail of fabrics.

Detail of fabrics.

Darting Birds block

Darting Birds block

The beautiful backing fabric used on this quilt was a pleasant surprise as the seller had not mentioned this. The majority of old quilts have plain muslin backings.

Gorgeous backing fabric on display.

Gorgeous backing fabric on display.

Obviously made by a skilled needlewoman the piecing is neat and accurate. The hand quilting stitches are tiny and even and the maker chose cross-hatching for her quilting design.

Most of the wear on the Darting Birds quilt was on the outside edges. I decided to cut the outside rows off the four sides of the quilt. Removing the damaged area has provided me with some scraps for cutter quilt projects. I stitched a new binding – nice and narrow in keeping with the original. Even though some of the remaining blocks are worn, I can still admire and enjoy this old and obviously much loved quilt. I hope you can too!

Softly aged and worn.

Softly aged and worn.

Annie Mary H. Gehris Redwork Quilt

29 Tuesday Dec 2015

Posted by mcinnesjanette in antique quilts, hand quilting, quilting projects, Red and White quilts, Redwork, Signature Quilts, Spider Webs, Turkey Red

≈ 3 Comments

Tags

Antique Quilts, Kate Greenaway, Redwork Quilts

IMG_3615

One hundred years ago Annie Mary H. Gehris proudly embroidered her name and the year onto the borders of her redwork quilt. IMG_3619<i

Annie was obviously very pleased with her neatly stitched quilt. Annie added her name to both the top and lower borders and the date ‘1915’ is centred on both the side borders.

There are 56 blocks featuring the seasons, the months and the days of the week. Little Kate Greenaway figures are carrying out their daily chores and enjoying seasonal activities.

Kate Greenaway figure for December

Kate Greenaway figure for December

Wednesday's chores

Wednesday’s chores

These motifs are placed beside a parrot, a goat, pug dogs, swans and many other designs.IMG_3622IMG_3624IMG_3613IMG_3627IMG_3625

Herringbone stitch was embroidered over the seams. The quilt has nice wide borders quilted with the classic cable designs. The blocks are quilted with cross-hatching. There is a very fine batting in the quilt, possibly hand carded cotton. The quilt appears to have never been used.

A spider's web for luck

A spider’s web for luck

As we say farewell to 2015 it is the perfect time to reflect on our quilting past and present. The women of the past found time to do needlework through all kinds of trials, as we do today. Whether you plan to finish quilts already started or commence new projects may you find much joy in your quilting in the New Year.

Wishing you a wonderful year ahead, Janette – The Plain Needlewoman.

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