A Learning Curve

24 Monday Oct 2016

Posted by mcinnesjanette in antique fabric, antique quilts, Feed Sack, hand piecing, hand quilting, Quilt Collections, quilting projects, Repairing old quilts, Scrap quilts, Uncategorized

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1930s, hand piecing, hand quilting, Piecework, quilt study, Quilting, Star Quilts, vintage fabrics, vintage quilts

Curved piecing is considered more difficult to accomplish than geometric designs. But with so many beautiful patterns to choose from it is worth attempting to learn to sew curves. There are many fine quilting books available that provide step by step instructions for piecing the curve.

I have made a few curved pieced quilts including two Robbing Peter to Pay Paul quilts, a Double Wedding Ring and a Mill Wheel quilt. I have recently hand pieced a quilt in memory of my mother which I have named “Marjie’s Star”. It is a six pointed star set with melon shaped pieces. It was a challenging design but enjoyable to hand piece.

Amongst my collection of old quilts, I have a Friendship Circle quilt.

This quilt is pieced from woollens, old suiting fabrics, velvets and silk. The block measures 17 inches. There are 16 full blocks and 4 half blocks to finish one side of the quilt. The seams are stitched with feather stitching and the quilt is tied. The backing is a paisley flannel.

Curved designs were popular during the 1930s and 1940s. These included the Double Wedding Ring, Drunkard’s Path, Fan and Dresden Plate quilts. Two unfinished projects that I have recently acquired both contain curves. The first project consists of 14 Dresden Fan blocks pieced and appliquéd onto a white background and set with hot pink. Also included with my purchase is extra hot pink fabric and the start of a scalloped border for the quilt. There is certainly enough to complete this 1930s beauty.

The Maker of the second project hadn’t progressed very far along with her piecing. There was a paper pattern with the partial blocks which I have identified as Mohawk Trail.

There are pieced blocks, partially pieced and many wedge sections cut.

I have re-drafted the pattern and will stitch a couple of blocks to see if it is going to work out. These sweet old pieces have sat undisturbed for many years and may have to wait sometime yet.

As this year is fast coming to an end, I will add these projects on my list of quilts to finish in 2017. Meanwhile I am busily hand quilting, and hope to finish a vintage Trip Around the World quilt before we bid farewell to 2016.

Happy Quilting, Janette – The Plain Needlewoman.

Piece by Piece

19 Monday Sep 2016

Posted by mcinnesjanette in Feed Sack, hand quilting, Mending, old fabrics, old quilt tops, Quilt Collections, Quilt Restoration, Quilt Stories, quilting projects, Repairing old quilts, Scrap quilts, stitching, Uncategorized, vintage quilts

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1930s quilts, Fabric Study, old quilts, quilt collections, vintage quilts

Two new additions to my postage stamp quilt collection arrived recently.

Pieces of Irish chain quilt

One piece is an incomplete Irish Chain quilt top. The maker had nearly completed the top when something caused her work to be discontinued. Fortunately all the pieces were kept together, including an incomplete row, many extra squares, the little cardboard template and a large piece of muslin.

Blocks and plain fabric for finishing the top

I will complete the row, tidy up some of the piecing and appliqué work and finish the top.

Love the plain red.

I have enough of the plain fabric for the borders and possibly enough cut squares to add another narrow pieced border. The patterned fabrics include florals, plaids, stripes and novelty prints.

The maker of this assortment of tiny pieces hadn’t progressed beyond stitching some of her one inch squares into rows.
The bundles of pieced sections were rolled into sets and a number was written on the last square to record how many squares are in the row.

Pencilled Number on the wrong side of fabric

It appears the maker was planning a particular design but the pattern is not clear to me. The basic square can be arranged in many ways. This could be a simple grid of continuous squares or a more complicated pattern such as Steps to the Altar or Trip Around the World.

Two strips of cardboard were sent with the piecework and there is a name written on it, but unfortunately it is too faded to read.

Faded writing

The squares measure 1 inch finished size and were hand stitched by an experienced seamstress. The fabrics are dress weight cottons and include novelty prints, floral designs, checks, stripes and geometrics.

My two Postage Stamp projects demonstrate how the quilters of the Depression era were able to create beautiful quilts out of so little. It is my intention to complete the work they started – Piece by Piece.

Happy Quilting from Janette, The Plain Needlewoman

Doll Quilts

11 Thursday Aug 2016

Posted by mcinnesjanette in Doll Quilts, Feed Sack, hand quilting, old fabrics, Quilt Collections, Quilt Stories, quilting projects, Scrap quilts, Sewing machines, Uncategorized

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Doll Quilts, hand quilting, handquilting, quilt collections, reproduction fabrics

Every so often I make a doll quilt or two. It is a nice change to work on a small project that can be finished quickly. Doll quilts were often made by children to teach them sewing and were usually made from scraps.

Log Cabin made from tiny strips

When I start a new project I cut and sew a few more patches that I need and these extra pieces often find their way into a doll quilt. This is also a good way to trial colours and techniques. Children love playing with the little quilts and spend happy hours tucking the dolls or teddies into bed.

Here are a few of my doll quilts – hope you enjoy seeing them and that you may be inspired to start a doll quilt for your collection.

Great books for inspiration

Happy doll quilt making, Janette

Sweet Old Things

22 Friday Jul 2016

Posted by mcinnesjanette in Feed Sack, hand quilting, Mending, old fabrics, old quilt tops, Quilt Collections, Quilt Restoration, quilting projects, Repairing old quilts, Scrap quilts, stitching, Uncategorized, vintage quilts

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1930s quilts, Fabric Study, feed sacks, hand quilting, handquilting, old quilt tops, old quilts, quilt collections

I have recently acquired a couple of very sweet old unfinished projects.The first of these is a house block quilt top. It is predominately made from feed sacks and contains plains, florals, plaids and one polka dot.

Florals and plains

House block

A deliberate mistake perhaps!

The quilt was not particularly well made and is slightly wonky. Despite this it has a certain charm and as I love feed sack fabrics and house quilts I couldn’t pass it by.

I am stabilising the edges by stitching narrow ribbon to the outside edges and easing the blocks onto the ribbon to bring them back to size.

Ribbon stitched to outside edge of each block

I am hopeful that I will achieve a flatter, straight quilt that I can then quilt and finish.

The second project that I am working on is a collection of signature blocks.

Album Blocks

The fabrics used to piece the blocks are typical of the 20s or 30s.Some of the blocks are complete with an embroidered name while others have been signed but not embroidered. The piecework ranges from basic stitching to an expert level. The blocks were not all exactly the same size. With a little trimming I have a working measurement of 12 3/4 inches. I am setting them together with lattice and setting squares cut from feed sack fabric and adding these to each block. When joined this will create a nice scrappy design.

Lattice and setting squares

On the design wall.

The blocks are very charming and include interesting fabrics. These friends made use of fabrics they had on hand and the cream backgrounds include calicos, taffeta and a heavy linen.

Nellie ran short of fabric!

While peacefully stitching these two projects I am reflecting on the lives of the ladies who made the original pieces. It is lovely to finish a quilt started many years ago. While contemplating the lives of these quilters I am also giving some thought to another little set of blocks.

More Feed sacks in these gorgeous blocks

I am waiting for inspiration of how to set these adorable blocks together into a quilt.

I will keep you posted. Peaceful Stitching from Janette, The Plain Needlewoman.

A Fine Old Quilt circa 1870

08 Friday Jul 2016

Posted by mcinnesjanette in 19th century Madder Fabrics, antique fabric, antique quilts, appliqué, hand quilting, old fabrics, Old Quilts, Quilt Collections, stitching, Uncategorized, vintage quilts

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Antique Quilts, applique, Fabric Study, hand quilting, handquilting, quilt collections

Basket Quilt

This basket quilt consists of 30 blocks set on point with alternating cream homespun fabric blocks. The quilt is a large one measuring 205 cms by 230 cms. The baskets are hand pieced and the handles are hand appliquéd.

Madder dyed fabrics are used throughout the quilt – mostly copper toned browns, a purple and an orange. The border fabric is a typical copper toned Madder stripe.

Border stripe fabric

Baskets were a popular design in the 19th century and baskets represented prosperity. The quilt maker appears to have been prosperous, as she had a good supply of yardage available to her. The quilt is extremely well made. The piecework, appliqué and quilting are of a high standard.

The quilting design is a simple but lovely design. It may have been adapted from a folded cut work appliqué design. I have three old Madder Red appliqué blocks in this design.

Hand quilting

Madder Red Applique Block

The backing is a plain homespun and the batting is an uncarded cotton.

The Basket Quilt came from California but no other information was available. As in so many instances there is no label on this quilt so the identity of its’ maker is lost in time. I can only wonder at the life of the maker and enjoy her wonderful quilt. Hope you enjoy seeing this old treasure. Happy Quilting, Janette

Busy Days in Winter

24 Friday Jun 2016

Posted by mcinnesjanette in antique fabric, antique quilts, Double Pinks, hand quilting, old fabrics, Postage Stamp Quilts, Quilt Collections, Quilt Restoration, quilting projects, Scrap quilts, stitching, Trip Around the World, Uncategorized, vintage quilts

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Detail of Album Quilt

The Winter months are the best time to catch up on quilting projects. The cold days and longer nights provide the perfect opportunity to stay indoors and stitch. To make a start I made a list of jobs to be done, then set to work.

First up I put the old Album quilt into a gentle bath for a soak in Retrowash.

The Album Quilt having a gentle soak.

I had been working on blocks for a new quilt and having completed 25 blocks I have started to stitch the blocks together. This gorgeous fabric that I found at my local op shop ties the blocks together beautifully.

Windfarm Quilt – work in progress

I made up cushion fillers for these lovely vintage cushion covers and added satin ribbon bows for ties.

Vintage cushion covers

After it’s bath the Album quilt was ready for a gentle machine wash and some fresh air. With a good wind blowing the quilt dried quickly. It is now fresh and beautiful.

Album Quilt circa 1870

Cold nights are perfect for hand quilting and I have started quilting an old Trip Around the World top from my collection. It is a large quilt, so I expect to be working on it for quite a few months.

Hand quilting Trip Around the World. Circa 1930s.

Centre of Trip Around the World.

I hope you are finding time for Stitching, Happy Quilting, Janette – The Plain Needlewoman

Nanna Good’s Ocean Waves Quilt.

18 Wednesday May 2016

Posted by mcinnesjanette in antique fabric, Feed Sack, hand quilting, old fabrics, old quilt tops, Old Quilts, Postage Stamp Quilts, Quilt Collections, Quilt Stories, Scrap quilts, Uncategorized, vintage quilts

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This Ocean Waves Quilt was made by Nanna Good in Orrick, Missouri, USA. It was passed down to her daughter Kathryn Sue Bogart McAfee. Kathryn was born on the 21 December 1922 and died in 1982. The quilt was then passed onto her only ancestor – a grand daughter. Her grand daughter decided to sell this quilt as she has a number of quilts made by her mother and grand mother that were made specifically for her. This one was not one of them.

Detail of fabrics

This lovely, scrappy version of the Ocean Waves pattern epitomises a Thirties quilt. The fabrics include florals, solids, stripes, juvenile prints and a couple of pieces from an earlier era. The placement of the solid red creates the effect of pinwheels across sections of the quilt.

Red Pinwheel

The backing is a wonderful Thirties green and the binding a pretty pink. The quilt is quilted by the piece with a simple design in the plain areas. The batting is an uncarded cotton. The seeds are clearly visible when the quilt is wet.

Quilt backing and binding

Ruby Short McKim published a pattern for an Ocean Waves Quilt in 1931, although we see many earlier examples. It is a very effective design in a two colour combination as well as a great scrap quilt.

I have been busy with hand quilting and have just completed my Courthouse Steps quilt.

Courthouse Steps made with mid 19th century fabrics.

I am now settling in for the Winter months and have commenced the quilting of another of my old quilt tops. This one is a Trip Around The World – a very large quilt made of very tiny squares.

Trip Around the World.

I hope your quilting is bringing you much pleasure. Thank you for stopping by, Warmly Janette

Redwork – Excellence with the Needle

21 Monday Dec 2015

Posted by mcinnesjanette in antique quilts, hand quilting, Quilt Collections, Redwork, Turkey Red, vintage quilts

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embroidery, hand quilting, Redwork

Emil. Mae’s Redwork quilt dated August 1917

The popularity of Redwork during the period of 1885 to 1925, coincided with the development of a colourfast dye that produced a lovely clear red. The name given to this red was Turkey Red. The name came from the country where this difficult and complicated dyeing process was created and produced under much secrecy. Even today it is not known beyond all doubt how the original methods were carried out.

Patterns for Redwork were published in the Women’s Magazines such as The Ladies Home Journal, The Modern Priscilla and Godey’s Lady’s Book. Stamping Kits and Patterns were offered to entice customers to take out subscriptions. This is an early example of advertising. The patterns used in Redwork were not specifically for quilts, but for all household linens. They were also known as Penny Squares, Storybook, Pictorial or Nursery Rhyme designs.

Due to the simplicity of Redwork and the basic requirements needed Redwork was a good project for beginners and children. Redwork quilts were often made up without batting and in some instances they were simply backed and not quilted.

A story book Redwork quilt -quilted without batting

A stanza from The Needles Excellency by John Taylor published in 1631 describes embroidered pictures. It is also a fitting description of the variety of images found on Redwork quilts made nearly 300 years later.

“Flowers, Plants and Fishes,
Beasts, Birds, Flyes and Bees,
Hills, Dales, Plains, Pastures,
Skies, Seas, Rivers, Trees,
There’s nothing ne’er at hand or farthest sought
But with the needle may be shap’d and wrought.”

Sheep in the Meadows

Pigs in the Farmyard

Horses – a favourite subject

Daisies

A Crib Quilt

Any-one for tennis?

Wishing you all a safe and peaceful Christmas. I hope you find time during the busy festive season to spend in pursuit of excellence with the needle. Sending my best, Janette – The Plain Needlewoman

Yo-Yo Quilts

20 Friday Nov 2015

Posted by mcinnesjanette in antique fabric, Mending, old fabrics, Old Quilts, Quilt Collections, Quilt Restoration, Quilt Stories, quilting projects, Yo-Yo quilts

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1930s quilts, feed sacks, scrap quilts, The Donnellys, vintage fabrics, yo-yo quilts

It is uncertain of when and where the technique for making yo-yo quilts originated. The earliest known examples date to the 1920s but the technique and pattern became prominent in the next decade. By the 1930s patterns were appearing in the women’s pages of weekly publications. In Merikay Waldvogel’s book ‘Soft Covers for Hard Times’ it is recorded that kits containing materials and instructions were available for making yo-yo projects.

Due to its simplicity and minimal requirements, yo-yo quilts were very popular during the depression era. All that is needed to make a yo-yo quilt is a large supply of scraps, a circle template, a needle and thread. They are a very portable project, that can be put down and picked up again for a few moments of stitching. It is easy to imagine the busy women of this era making a couple of yo-yos when they could spare a few moments

A bundle of yo-yo quilts

The two yo-yo quilts in my collection were purchased from The Donnellys.

Eileen and Bernie shared the story of how and where they found them. The quilts were bought from an antique shop in Winchester, New Hampshire USA on 7th October 1994. They were lying on the very dirty floor of the shop.

Of the two quilts one is in good condition and the second one needs some repair work.

area needing repair

The first quilt is constructed with 25 yo-yos stitched 5 x 5 to make a block. The blocks are joined with 2 rows of mauve yo-yos to create a lattice effect. Four lemon yo-yos are placed as cornerstones. The maker then created lovely bunting type triangles to give her quilt a very decorative finish.

Lay-out arrangement

Decorative finish

The second quilt is a random design but is brighter than the first quilt. Both quilts contain a great assortment of fabrics including feed sacks, dress fabrics, shirtings, ginghams, stripes and juvenile prints. The first quilt was probably the best quilt and the second was the everyday quilt receiving much more wear.

Brighter colours and random placement.

I soaked the quilts for 36 hours in Retro Clean.

Soaking the quilts

After soaking I transferred them to the washing machine. Yo-yo quilts are very heavy and once wet even more so. They had to be machine washed in two separate loads. Once washed and dry I assessed the repair work. The first quilt only needed a couple of yo-yos restitched and two needed replacing. The second quilt is in the repair pile awaiting restoration. Both quilts are a wonderful time capsule of the fabrics from the 1930s and probably include fabrics from earlier decades.

Reverse side of quilt.

Detail of fabrics

I hope you enjoyed the stories of the yo-yo quilts. Thank you for stopping by,
Hope your stitching is going well, regards Janette – The Plain Needlewoman.

Lucy’s Quilt

01 Saturday Aug 2015

Posted by mcinnesjanette in Feed Sack, Old Quilts, Quilt Collections, Quilt Stories

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Farmer's Journal, Feedsacks, quilt collections, The Donnellys, vintage quilts

Four Petals made by Lucy M. Hauser

The Four Petals quilt was made in Kentucky by Lucy M. Hauser during the 1940s. It is hand pieced and hand quilted. The fabrics used in this quilt are feed sack and dress fabrics. The borders, lattice strips and setting squares are a bright pink and aqua. The backing is a feed sack print in a dainty pink floral which compliments the pink and aqua fabrics perfectly. The binding is of the same fabric and is machine stitched. The machine stitching is very fine indeed which indicates it was probably stitched on a treadle machine.

Detail of The Four Petals

Fabulous Feed Sack fabrics

The story of Lucy’s Quilt was passed onto to me by Eileen and Bernie Donnelly who have entrusted this quilt and it’s story to me. The story of The Four Petals quilt is reproduced here as told by Eileen and Bernie. ‘We were driving through West Virginia and Maryland on the last part of our trip.(October 1994) We were looking for old quilts and had been told by one of our son Stephen’s friends, who came from West Virginia, that “old” or Antique Quilts were no longer easy to find. They suggested we stop at some of the old general stores in the small country villages and ask. We did just that and were sent to see Mrs. Lucy Mae Hauser on her farm a couple of miles away. At this stage we we were right in the middle of the Amish country in Maryland, just near the West Virginia border. Lucy invited us in to show us what she had. She was absolutely thrilled to see us as she had not met Australians before. She told us she was 79 then she remembered she was only 76. She took us into a spare bedroom and pulled back a crocheted afghan to reveal a very bright quilt. “Railway Tracks” design. She said she had not sold quilts before, but would sell one to us. So we bought it, literally off her bed. Then she remembered she had some other quilts in the cupboard. She showed us “this one” and we liked it better than the one we had bought, so she agreed to exchange it, so we remade her bed.

Quiltmaker – Lucy Mae Hauser born 9 May 1920

This quilt was made mostly from Feed sacks and dress fabrics and she said she had made it in Kentucky in the 1940s. The design Four Petals, is very unusual and comes from the Farmer’s Journal which was first published in 1877. The design has probably been handed down through the family.’

The Label beautifully hand written by Eileen.

Feed sack backing

The instructions for reproducing this quilt were written by Eileen and published in The Australian Patchwork and Quilting Magazine Vol. 9 No. 4 February 2002. Hope you enjoy seeing The Four Petals Quilt and reading the story of it’s journey to Australia. It is wonderful to have provenance of the maker’s of old quilts, so thank you to Bernie and Eileen for sharing the story of this lovely old quilt. Thank you for visiting The Plain Needlewoman.

	mcinnesjanette on Marjie”s Star Quilt
	Lowana Radel on Marjie”s Star Quilt
	Jill on My Wagga Quilt
	mcinnesjanette on My Wagga Quilt
	Sherry on My Wagga Quilt

The Plain Needlewoman

~ Quilt Study, Sewing, Vintage Textiles, Collecting quilts and other old odds and ends.

Category Archives: Quilt Collections

A Learning Curve

Piece by Piece

Doll Quilts

Sweet Old Things

A Fine Old Quilt circa 1870

Busy Days in Winter

Nanna Good’s Ocean Waves Quilt.

Redwork – Excellence with the Needle

Yo-Yo Quilts

Lucy’s Quilt